On January 1, 1966, the song "Cavalleria rusticana: "Dite, mamma Lucia"" was released by Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan. The duration of Cavalleria rusticana: "Dite, mamma Lucia" is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Cavalleria rusticana: "Dite, mamma Lucia"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan's "Mascagni: Cavalleria Rusticana" album is number 7 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Cavalleria rusticana: "Dite, mamma Lucia"'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cavalleria rusticana: "Dite, mamma Lucia" by Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: La traviata, Act 3: "Parigi, o cara, noi lasceremo" (Annina, Violetta, Alfredo) | Giuseppe Verdi, Ines Marietti, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 83 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Meco all'altar di Venere (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 3 | 9B | 98 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 1: Quatuor, "Accours dans ma nacelle" (Ruodi, Guillaume, Jemmy, Hedwige) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Charles Burles/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli | G Major | 1 | 9B | 72 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Puccini: Turandot, Act 2: "No, no, Principessa, altera!" (Calaf, Coro, Altoum) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michael Spyres, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | F Major | 2 | 7B | 72 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | C Major | 2 | 8B | 129 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM |