"Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. The duration of Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 11 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 4: "Così, nessuna nuova?" (Anaide, Courtois) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Carmen: Act I - "Habanera" | Czech Symphony Orchestra, Julian Bigg, Anne Marie Owens | D Major | 0 | 10B | 67 BPM | ||
Act Two (Part One) | Renata Tebaldi, Fernando Corena, Giulietta Simionato, Cornell MacNeil, Piero de Palma, Singverein des Gesellschaft der Musikfreunde, Eugenia Ratti, Carlo Bergonzi, Arnold van Mill, Vienna Philharmonic Orchestra, Herbert von Karajan | F Minor | 1 | 4A | 147 BPM | ||
Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM |