"L'ultima canzone" by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba was released on January 1, 1983. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti, New Philharmonia Orchestra, Piero Gamba's "Mattinata" album is number 11 out of 14. On top of that, United Kingdom appears to be the country where this track was created. L'ultima canzone is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'ultima canzone by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Don Giovanni / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sheryl Crow, Orchestra filarmonica di Torino, Marco Armiliato | A Major | 3 | 11B | 85 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | F Major | 4 | 7B | 170 BPM | ||
Manon Lescaut: Donna Non Vidi Mai... | Mario del Monaco | B♭ Major | 2 | 6B | 85 BPM | ||
Manon Lescaut: "Donna non vidi mai" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | B♭ Major | 2 | 6B | 83 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Vivere | Cesare Andrea Bixio, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 5 | 10B | 109 BPM |