Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft made "Oedipus Rex: Epilogue" available on November 1, 2004. Since Oedipus Rex: Epilogue is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Stravinsky: Oedipus Rex - Les Noces". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Oedipus Rex: Epilogue is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Oedipus Rex: Epilogue by Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
The Wooden Prince, Op 13, Sz. 60: Prelude | Béla Bartók, Neeme Järvi, Philharmonia Orchestra | A Major | 1 | 11B | 77 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
Three Songs from William Shakespeare: Music to Hear | Igor Stravinsky, Ann Murray, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 124 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Carmina Burana: VII. Floret silva | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 81 BPM |