"Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto)" by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Maximilian Schmitt was released on 2011. Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto) is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 6 out of 10 in Dvořák: Stabat Mater by Antonín Dvořák, Philippe Herreweghe, Antwerp Symphony Orchestra, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Maximilian Schmitt is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Requiem, Op.48: 3. Sanctus (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 0 | 5B | 95 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 4. Chor mit Sopransolo: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 1 | 8B | 91 BPM | ||
German Requiem, Op. 45: Herr, lehre doch mich | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM | ||
Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome | Robert Schumann, Fritz Wunderlich, Hubert Giesen | E Minor | 1 | 9A | 71 BPM | ||
Requiem, Op. 48: Offertoire | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, Stephan Genz, La Chapelle Royale | D Major | 0 | 10B | 64 BPM | ||
Mass in D Major, Op. 86, B. 175: Credo. Allegro moderato | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka | D Major | 2 | 10B | 169 BPM |