Robert Schumann, Fritz Wunderlich, Hubert Giesen made "Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome" available on January 1, 1997. With Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Schumann: Dichterliebe / Beethoven & Schubert: Lieder". In this album, this song's track order is #6. Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome by Robert Schumann, Fritz Wunderlich, Hubert Giesen having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Wie du warst! Wie du bist!" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | B Major | 1 | 1B | 88 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Sur L'herbe | Laurent Naouri, David Abramovitz, Maurice Ravel | F♯ Minor | 0 | 11A | 72 BPM | ||
Pictures at an Exhibition: Con mortuis in lingua mortua | Modest Mussorgsky, Evgeny Kissin | B Major | 0 | 1B | 67 BPM | ||
Liebesliederwalzer, Op. 52: XVI. Ein dunkeler Schacht ist Liebe | Johannes Brahms, Georg Friedrich Daumer, Christoph Berner, Stella Doufexis, Camillo Radicke, Konrad Jarnot, Marlis Petersen, Werner Güra | C Major | 1 | 8B | 137 BPM | ||
Rückert Lieder: IV. Um Mitternacht | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | A Minor | 1 | 8A | 72 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
Liebesliederwalzer, Op. 52: IX. Am Donaustrande | Johannes Brahms, Georg Friedrich Daumer, Stella Doufexis, Werner Güra, Christoph Berner, Marlis Petersen, Konrad Jarnot, Camillo Radicke | E Major | 1 | 12B | 91 BPM |