"Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam" by Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker was released on November 6, 2001. The duration of Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam is about 3 minutes long, at 3:04. Based on our data, "Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #8 out of 21 tracks. Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam by Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, ballet, M. 62: Prélude: Très lent | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Major | 0 | 9B | 90 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | ||
Otello*: 'Fuoco di gioia' | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Choir) | Johannes Brahms, Swedish Radio Choir, Swedish Radio Symphony Orchestra, Daniel Harding | F Major | 0 | 7B | 54 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Christe eleison | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 3 | 9B | 75 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile | Wolfgang Amadeus Mozart, London Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 133 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM |