Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips's 'Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024' came out on April 26, 2024. The duration of Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Wiener Philharmoniker, Josef Krips's "Mozart: Die Entführung aus dem Serail; Turkish March; Opera Arias (Remastered 2024)" album is number 2 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 by Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Contretänze, WoO 14 | Ludwig van Beethoven, Andris Nelsons, Wiener Philharmoniker | G Major | 1 | 9B | 130 BPM | ||
Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden" | Franz Schubert, Michel Corboz, Alejandro Ramirez, Orchestre de Chambre de Lausanne | C Major | 3 | 8B | 118 BPM | ||
Lohengrin, WWV 75 / Act I: Ohn' Antwort ist der Ruf verhallt! | Richard Wagner, Hartmut Welker, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 127 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 9, Nun beut die Flur das frische Grün | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg | B♭ Major | 3 | 6B | 117 BPM | ||
Vom Donaustrande, Polka schnell, Op. 356 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | F Major | 4 | 7B | 78 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint" | Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | C Major | 1 | 8B | 134 BPM | ||
La Cenerentola, Act II: Nacqui all'affanno e al pianto | Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM |