Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly made "La Cenerentola, Act II: Nacqui all'affanno e al pianto" available on May 17, 2024. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 22 in Casta Diva by Cecilia Bartoli, Vincenzo Bellini, Gioachino Rossini, Gaetano Donizetti, Wolfgang Amadeus Mozart, Christoph Willibald Gluck, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, La Cenerentola, Act II: Nacqui all'affanno e al pianto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of La Cenerentola, Act II: Nacqui all'affanno e al pianto by Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Sieh schon die Morgenröte (Ecco ridente in cielo) (Graf Almaviva) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 2 | 8B | 124 BPM | ||
Don Giovanni, K. 527: Ah, del padre in periglio | Wolfgang Amadeus Mozart, Edda Moser, Kenneth Riegel, Lorin Maazel | C Major | 1 | 8B | 98 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete" | Franz Joseph Haydn, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | F Minor | 3 | 4A | 120 BPM | ||
Ridente la calma, K.152 | Wolfgang Amadeus Mozart, Cecilia Bartoli, András Schiff | F Major | 0 | 7B | 110 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Cecilia Bartoli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Mysliveček: L'Olimpiade: "Se cerca se dice" (Megacle) | Josef Mysliveček, Vaclav Luks, Raffaella Milanesi | G Minor | 1 | 6A | 108 BPM | ||
Ch'io mi scordi di te, K. 505: Non temer, amato bene | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod, Sebastian Wienand | E♭ Major | 1 | 5B | 89 BPM | ||
Les Contes d'Hoffmann / Act 1: "Deux heures devant moi!" | Jacques Offenbach, Andreas Schmidt, Kurt Rydl, Orchestre National De France, Seiji Ozawa | C Major | 3 | 8B | 143 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM |