"Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua" by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel was released on December 2, 2016. The duration of Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel, Pyotr Ilyich Tchaikovsky's "Mussorgsky: Pictures At An Exhibition" album is number 13 out of 17. On top of that, Germany appears to be the country where this track was created. Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 (1917 Final Version): I. Vivace - Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto | Wolfgang Amadeus Mozart, Lang Lang, Nikolaus Harnoncourt, Wiener Philharmoniker | B Minor | 1 | 10A | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Casse-noisette : danse chinoise | Wiener Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 111 BPM | ||
Flute Concerto No. 1 in G Major, K. 313: II. Adagio non troppo | Wolfgang Amadeus Mozart, Anton Gisler, Werner Tripp, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 91 BPM | ||
Symphony No. 8 In B Minor, D.759 - "Unfinished": 1. Allegro moderato | Franz Schubert, Wiener Philharmoniker, Josef Krips | B Minor | 0 | 10A | 74 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Gurrelieder / Pt. 1: I. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM |