"Eine Alpensinfonie: X. Nacht" by Richard Strauss, Bernard Haitink, London Symphony Orchestra was released on February 9, 2010. The duration of Eine Alpensinfonie: X. Nacht is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Eine Alpensinfonie: X. Nacht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss: Eine Alpensinfonie (An Alpine Symphony)". In this album, this song's track order is #10. Eine Alpensinfonie: X. Nacht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie: X. Nacht by Richard Strauss, Bernard Haitink, London Symphony Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
Elektra: Xix. Elektra! Elektra! | Hugo von Hofmannsthal, Richard Strauss, Gunnar Lundberg, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
La Mer, L. 109: II. Jeux de vagues | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Minor | 1 | 11A | 76 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: 7. Notturno | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | E Major | 0 | 12B | 68 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix I: Pas de deux | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 153 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIII. Catacombae "Sepulcrum romanum" - Cum mortuis in lingua mortua | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E Minor | 2 | 9A | 125 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Symphony No.4 In G: 2. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Cleveland Orchestra, Pierre Boulez, William Preucil | C Major | 0 | 8B | 129 BPM |