"Elektra: Xix. Elektra! Elektra!" by Hugo von Hofmannsthal, Richard Strauss, Gunnar Lundberg, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler was released on March 3, 2023. With Elektra: Xix. Elektra! Elektra! being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Richard Strauss: Elektra". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Elektra: Xix. Elektra! Elektra! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elektra: Xix. Elektra! Elektra! by Hugo von Hofmannsthal, Richard Strauss, Gunnar Lundberg, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Il bacio | Luigi Arditi, Vienna Walzer Orchestra, Sandro Cuturello | D Major | 2 | 10B | 99 BPM | ||
Suor Angelica: Sorella, o buona sorella | Giacomo Puccini, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 81 BPM | ||
Kapitel 17.2 & Kapitel 18 & Kapitel 19 & Kapitel 20.1 - Deutsche Lyrik | Johann Wolfgang von Goethe, Rainer Maria Rilke, Hugo von Hofmannsthal | E Major | 4 | 12B | 138 BPM | ||
Akt I: Vor allem nun: der Speer kehr uns zurück | Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Kapitel 15.2 & Kapitel 16.1 - Jedermann | Hugo von Hofmannsthal | B Major | 2 | 1B | 174 BPM | ||
Ultimo Break | TimeTunes | D♭ Major | 1 | 3B | 170 BPM |