Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir's 'Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus)' came out on April 19, 2024. Since Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 22 in Britten: Spring Symphony, Sinfonia da Requiem, The Young Person's Guide to the Orchestra by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: XXII. Tempus est iocundum | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 3 | 10B | 127 BPM | ||
Requiem: V. Quid Sum Miser | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Christine Brewer, London Symphony Orchestra, Karen Cargill | C Minor | 0 | 5A | 82 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Rachmaninov: The Bells, Op. 35: III. Presto | Sergei Rachmaninoff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | D♭ Major | 3 | 3B | 87 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Infirma nostri corporis" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | C Major | 1 | 8B | 92 BPM | ||
A White House Cantata / Part 2: Duet for One | Leonard Bernstein, Barbara Hendricks, Thomas Hampson, London Voices, London Symphony Orchestra, Kent Nagano | D Major | 2 | 10B | 127 BPM | ||
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 1 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 0 | 5B | 131 BPM |