Johannes Brahms, Wiener Philharmoniker, Claudio Abbado made "21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák)" available on January 1, 1984. With 21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 21 in Brahms: 21 Hungarian Dances by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo - Allegro molto | Johannes Brahms, Vienna Piano Trio | B Major | 1 | 1B | 160 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Die Walküre / Dritter Aufzug: Der Walküren-Ritt - Hojotoho! | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 4 | 5B | 135 BPM | ||
Hungarian Dance No.8 In A Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 151 BPM |