Friedrich Grützmacher, Luigi Boccherini, Lynn Harrell, Angeli Ensemble's 'Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): I. Allegro moderato' came out on July 5, 2011. Since Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): I. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The Known Unknowns". In this album, this song's track order is #7. In terms of popularity, Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): I. Allegro moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in B-Flat Major, G. 482 (arr. F. Grutzmacher for cello and piano): I. Allegro moderato by Friedrich Grützmacher, Luigi Boccherini, Lynn Harrell, Angeli Ensemble having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Vivaldi: Flute Concerto in F Major, Op. 10 No. 1, RV 433 "La tempesta di mare": I. Allegro & II. Largo | Antonio Vivaldi, William Bennett, George Malcolm, English Chamber Orchestra | F Major | 3 | 7B | 94 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion) | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | E♭ Major | 0 | 5B | 80 BPM | ||
Alt-Wiener Tanz C | Franz Xaver Gruber, Willi Boskovsky, The Boskovsky Ensemble | F♯ Major | 0 | 2B | 93 BPM | ||
Klarinettenkonzerte Nr.1op.73 & Nr.2 op.74 · Concertino op.26, Konzert für Klarinette und Orchester Nr.2 Es-dur op.74: III. Alla Polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 2 | 5B | 118 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 2. Adagio | Johann Sebastian Bach, Chamber Orchestra of Europe | D Minor | 1 | 7A | 139 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 1: Larghetto | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | A♭ Major | 0 | 4B | 112 BPM | ||
Lieder: Waldesgespräch, Op. 39 No. 3 - Arr. For Cello and Piano by Friedrich Grützmacher | Robert Schumann, Friedrich Grützmacher, Francesco Dillon, Emanuele Torquati | G Major | 0 | 9B | 85 BPM |