"Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion)" by David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson was released on February 12, 2001. With this song being about 5 minutes long, at 4:56, "Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion)" by David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Popper: Romantic Cello Showpieces". In this album, this song's track order is #3. Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion) by David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sapphische Ode - Op. 94, No. 4 | Johannes Brahms, Zuill Bailey, Awadagin Pratt | F Major | 1 | 7B | 73 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
The Quiet Lagoon | Peter Breiner, Don Gillis | C Major | 1 | 8B | 80 BPM | ||
熊蜂は飛ぶ(歌劇「サルタン皇帝の物語」より) | Nikolai Rimsky-Korsakov, Jascha Hfeitz, Mayuko Kamio | D Minor | 3 | 7A | 99 BPM | ||
Summer Clouds | Peter Breiner, Don Gillis | E♭ Major | 2 | 5B | 71 BPM | ||
Will Someone Ever Look At Me | Michel Legrand, Peter Breiner Symphonic Pop Orchestra, Peter Breiner | B♭ Minor | 0 | 3A | 89 BPM | ||
Anne Goes Home to Green Gables | Peter Breiner, Don Gillis | C Major | 1 | 8B | 79 BPM | ||
Symphony No. 67 in F Major, Hob.I:67: IV. Finale: Allegro di molto - Adagio e cantiblile - Tempo primo | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 0 | 7B | 85 BPM | ||
Piano Quintet in C Major Sz. 23: II. Vivace (Scherzando) | Béla Bartók, Zemlinsky Quartet, Paolo Giacometti | D♭ Major | 1 | 3B | 120 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM |