Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec's 'Das Waldmädchen: No. 10, Larghetto' came out on April 8, 2022. With Das Waldmädchen: No. 10, Larghetto being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wranitzky: Orchestral Works, Vol. 4 by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec. The song's track number on the album is #11 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Das Waldmädchen: No. 10, Larghetto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Waldmädchen: No. 10, Larghetto by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Waldmädchen: No. 10, Larghetto being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Minor | 1 | 8A | 116 BPM | ||
Das listige Bauernmädchen: No. 9, Allegro non troppo | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Overture: May Night | Bournemouth Symphony Orchestra, Paavo Berglund | E Minor | 1 | 9A | 142 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 38: II. Adagio | Zdeněk Fibich, Czech National Symphony Orchestra, Marek Štilec | B Major | 0 | 1B | 71 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Quartet In D The Randolph | George Fenton | D Major | 0 | 10B | 120 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Symphonie Concertante in A Major, Op. 9 No. 2: I. Allegro | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | A Major | 1 | 11B | 135 BPM | ||
Divertimento No. 1, Op. 20: V. Csurdongolo (Stamping dance) | Leó Weiner, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 146 BPM |