Joseph Haydn, Dresdner Philharmonie, Marek Janowski made "Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos" available on May 3, 2024. Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir, Dresdner Philharmonie, Marek Janowski's "Haydn: Die Schöpfung" album is number 1 out of 32. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos by Joseph Haydn, Dresdner Philharmonie, Marek Janowski to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
9 Preludes, Op. 103: No. 7 in A Major | Gabriel Fauré, Kathryn Stott | A Major | 0 | 11B | 131 BPM | ||
Flute Trio No. 3 in G Major, Hob. IV:3: I. Spirituoso | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 138 BPM | ||
Lavignac: Galop-marche à huit mains (Arr. Lemoine for Piano 4-Hands) | Albert Lavignac, Alexandre Tharaud, Frank Braley | D Minor | 1 | 7A | 90 BPM | ||
交響曲第3番ヘ長調作品90 第2楽章:アンダンテ | ベルリン フィルハーモニー管弦楽団 | C Major | 1 | 8B | 76 BPM | ||
Norsk, Op. 12 No. 6 | Edvard Grieg, Peter Donohoe | G Major | 1 | 9B | 114 BPM | ||
Symphony No. 2 in C Minor, Op. 17, TH 25 "Little Russian": III. Scherzo. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Lorin Maazel, Pittsburgh Symphony Orchestra | C Major | 3 | 8B | 112 BPM | ||
La vestale: Ouverture | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 107 BPM | ||
Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 76 BPM | ||
Symphony No. 2 in A Minor, Op. 55: II. Adagio | Camille Saint-Saëns, Orchestre de la Suisse Romande, Marek Janowski | E Minor | 1 | 9A | 135 BPM |