"Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante" by Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay was released on July 15, 2014. The duration of Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante is about 3 minutes long, at 3:25. Based on our data, "Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 13 in Dohnanyi / Weiner: Chamber Music by Laszlo Barsony, Karoly Botvay, Jenő Jandó, Andras Kiss. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante by Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Pavana y Gallarda | Carlos Cruz de Castro, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
Piano Trio in G Minor, Op. 17: Allegretto | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | D Major | 2 | 10B | 121 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gabriel Schwabe, ORF Vienna Radio Symphony Orchestra, Christopher Ward | B♭ Major | 0 | 6B | 92 BPM | ||
String Quartet No. 2 in D-Flat Major, Op. 15: I. Andante – Allegro | Ernst von Dohnányi, Takács Quartet | B Major | 1 | 1B | 115 BPM | ||
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
Sextet in G Minor, Op. 142: III. Rondo. Allegretto | Ferdinand Ries, Franz Ensemble, Maximilian Krome, Rie Koyama, Sarah Christian, Yuko Hara, Tristan Cornut, Juliane Bruckmann, Kiveli Doerken, Jonathan Wegloop, Emily Hoile | G Minor | 1 | 6A | 97 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM |