Pablo de Sarasate, Tianwa Yang, Markus Hadulla made "Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2" available on August 29, 2006. With this song being about 5 minutes long, at 5:22, "Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2" by Pablo de Sarasate, Tianwa Yang, Markus Hadulla is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Sarasate: Violin and Piano Music, Vol. 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 by Pablo de Sarasate, Tianwa Yang, Markus Hadulla having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Zortzico d'Iparaguirre, Op. 39 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B♭ Major | 1 | 6B | 134 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |