Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec's 'Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro' came out on March 10, 2017. Since Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec's "Koželuch: Symphonies, Vol. 1" album is number 13 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony in G Minor, Op. 22 No. 3, P. I:5: I. Allegro by Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida: Armida: Sinfonia in Pantomima | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 1 | 9B | 83 BPM | ||
Il matrimonio segreto: Overture (1792 Vienna Version) | Domenico Cimarosa, Czech Philharmonic Chamber Orchestra, Patrick Gallois | D Major | 1 | 10B | 119 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Symphony No. 1 in D Major, Hob. I:1: III. Presto | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Major | 2 | 10B | 117 BPM | ||
Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 0 | 9B | 65 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Concerto for 2 Oboes & Trumpet in D Major, TWV 53:D2: II. (Adagio) | Anonymous , Georg Philipp Telemann, Czech Philharmonic Chamber Orchestra, Filip Dvořák, Marek Štilec | B Minor | 1 | 10A | 121 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Symphony in B-Flat Major, Op. 4, No. 2: III. Minuetto I-II | Franz Ignaz Beck, Komorní filharmonie Pardubice, Marek Štilec | B♭ Major | 0 | 6B | 136 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM |