"Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio)" by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra was released on January 1, 1998. Since Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Saint-Saëns: Cello Concerto No.1; Cello Sonata No.1; Suite, Op. 16; Le Cygne From Le Carnival Des Animaux; Allegro Apassionato, Op. 43; Romance In F Major, Op. 36". In this album, this song's track order is #10. Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Piano Trio No. 1 in C Minor, Op. 8 | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | E♭ Major | 1 | 5B | 71 BPM | ||
Cello Sonata No.2 in F major, Op.123: I. Maestoso, largamente - Tranquillo | Camille Saint-Saëns, Jamie Walton, Daniel Grimwood | E♭ Major | 2 | 5B | 176 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 21 in G Minor, Op. 53, No. 3 | Felix Mendelssohn, Péter Nagy | G Minor | 1 | 6A | 91 BPM | ||
Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: III. Allegro moderato | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | C Minor | 2 | 5A | 98 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale: Allegro | Ludwig van Beethoven, Kodály Quartet | B♭ Major | 2 | 6B | 134 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Sinfonia concertante in E Flat Major for Oboe, Clarinet, Horn, Bassoon and Orch., K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Stephen Taylor, David Singer, William Purvis, Steven Dibner, Orpheus Chamber Orchestra | C Major | 2 | 8B | 162 BPM |