Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz made "Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio" available on April 5, 2024. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz's "Instrumental Theatre of Affects" album is number 21 out of 22. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio by Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertissement, Vorstellungen 1803: No. 6, Tempo di Minuetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Concerto in E Major, S 49, WoO 1: I. Allegro con spirito | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | B Major | 1 | 1B | 123 BPM | ||
Keyboard Sonata in D Minor, Wq. 54/3, H. 184: II. Larghetto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 0 | 10B | 113 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
Guitar Quartet No. 5 in C Major, Op. 5 No. 2, MS 32: III. Cantabile | Niccolò Paganini, Paganini Ensemble Vienna | B Minor | 1 | 10A | 136 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
When Crossing the Wilderness SHZ 469 | Laestadian Lutheran Church, Kaitlyn Huhta, Katja Vaatainen, Ashley Niemela | F Major | 0 | 7B | 76 BPM | ||
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM |