Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec's 'Das Waldmädchen: No. 19, Masur' came out on April 8, 2022. With Das Waldmädchen: No. 19, Masur being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wranitzky: Orchestral Works, Vol. 4 by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec. The song's track number on the album is #20 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Das Waldmädchen: No. 19, Masur is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Waldmädchen: No. 19, Masur by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Waldmädchen: No. 19, Masur being at 100 テンポ, the half-time would be 50 テンポ with a double-time of 200 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in E-Flat Major: III. Presto assai | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | C Major | 1 | 8B | 102 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile | Johann Nepomuk Hummel, Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra | B Minor | 0 | 10A | 89 BPM | ||
Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 146 BPM | ||
交響詩《ローマの松》 〜アッピア街道の松 | Ottorino Respighi, アントニオ・ペドロッティ, Czech Philharmonic Chamber Orchestra | A♭ Major | 4 | 4B | 95 BPM | ||
スメタナ:連作交響詩 「わが祖国」 5 ターボル | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | D Minor | 1 | 7A | 131 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: XX. Tarentelle | Franz Burgmüller, Benedikt David | D Minor | 2 | 7A | 158 BPM | ||
Appalachian Spring - 1945 Suite: 8. Moderato: Coda | Aaron Copland, London Symphony Orchestra, Antal Doráti | F Major | 2 | 7B | 82 BPM | ||
Achmet und Zenide, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | E♭ Major | 0 | 5B | 86 BPM | ||
Jolantha, Königin von Jerusalem, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM |