Johann Nepomuk Hummel, Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra's 'Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile' came out on June 1, 2008. Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra's "Karen Geoghegan Plays Works for Bassoon and Orchestra" album is number 2 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile by Johann Nepomuk Hummel, Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Trio in E Major, Op. 5, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 0 | 12B | 157 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
Mesa | Hans Zimmer, Benjamin Wallfisch | C Major | 2 | 8B | 84 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Wallace | Hans Zimmer, Benjamin Wallfisch | A♭ Major | 2 | 4B | 110 BPM | ||
French Suite No. 6 in E Major, BWV 817: VIII. Gigue | Johann Sebastian Bach, Murray Perahia | E Major | 2 | 12B | 128 BPM | ||
Smetana: String Quartet No. 1 in E Minor "From My Life": III. Largo sostenuto | Bedřich Smetana, Alban Berg Quartett | F Major | 2 | 7B | 124 BPM | ||
Darcy's Letter - From "Pride & Prejudice" Soundtrack | English Chamber Orchestra, Benjamin Wallfisch | C Minor | 0 | 5A | 139 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM |