On February 28, 2017, the song "25 Ètudes Faciles Et Progressives, Op. 100: XX. Tarentelle" was released by Franz Burgmüller, Benedikt David. With 25 Ètudes Faciles Et Progressives, Op. 100: XX. Tarentelle being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 25 in Friedrich Burgmüller: 25 Leichte Etuden Op. 100 by Franz Burgmüller, Benedikt David. Based on our statistics, 25 Ètudes Faciles Et Progressives, Op. 100: XX. Tarentelle's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 25 Ètudes Faciles Et Progressives, Op. 100: XX. Tarentelle by Franz Burgmüller, Benedikt David is Vivace (lively and fast), since this song has a tempo of 158 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angloise (from Notebook for Wolfgang) | Leopold Mozart, Dinara Klinton | D Minor | 0 | 7A | 119 BPM | ||
100 Etudes, Op. 599: No. 61 in C Major | Carl Czerny, Waldemar Moes | C Major | 2 | 8B | 140 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Léocadie, S. 12: Act II Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 99 BPM | ||
Sonatina in G: II. Andante | Ben Quine | C Major | 1 | 8B | 168 BPM | ||
Toccata E Minor. Adagio | Valentina Lisitsa | E Minor | 0 | 9A | 66 BPM | ||
Consolation | Diane Hidy & Keith Snell | C Major | 1 | 8B | 150 BPM | ||
Violin Sonata (Sonatina) in D Major, Op. 137, No. 1, D. 384: III. Allegro Vivace | Franz Schubert, Tomás Cotik, Tao Lin | F Major | 3 | 7B | 88 BPM | ||
Keyboard Sonata in D Minor, Wq. 51/4, H. 128, "Fortsetzung Sonata No. 4": III. Presto | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F Major | 1 | 7B | 145 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM |