Nico Dostal, Stuttgart Philharmonic Orchestra, Fritz Mareczek, Friederike Sailer, Fritz Wunderlich's 'Monika: Ein Walzer zu zweien' came out on September 1, 2010. The duration of Monika: Ein Walzer zu zweien is about 3 minutes long, at 3:18. Based on our data, "Monika: Ein Walzer zu zweien" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 32 in Beliebte Operettenmelodien by Various Artists. Monika: Ein Walzer zu zweien is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Monika: Ein Walzer zu zweien by Nico Dostal, Stuttgart Philharmonic Orchestra, Fritz Mareczek, Friederike Sailer, Fritz Wunderlich is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen - Habanera - slowed + reverb | Georges Bizet, Classical Slowed + Reverb | B♭ Major | 0 | 6B | 85 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
Trial by Jury: Hark, The Hour of Ten Is Sounding | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 181 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
ヴェルディ/乾杯の歌~歌劇「椿姫」より | Ken Nishikiori | B♭ Major | 3 | 6B | 200 BPM | ||
Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM |