"Fausto, Act II: Cavatina. Palpita nel seno gelido il cor" by Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset was released on January 26, 2024. The duration of Fausto, Act II: Cavatina. Palpita nel seno gelido il cor is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Fausto, Act II: Cavatina. Palpita nel seno gelido il cor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louise Bertin, Les Talens Lyriques, Christophe Rousset, Flemish Radio Choir's "Louise Bertin: Fausto" album is number 16 out of 36. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fausto, Act II: Cavatina. Palpita nel seno gelido il cor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fausto, Act II: Cavatina. Palpita nel seno gelido il cor by Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcina, HWV 34 / Act 2: Or, che dici | George Frideric Handel, Kobie Van Rensburg, Karina Gauvin, Il Complesso Barocco, Alan Curtis | D♭ Major | 2 | 3B | 117 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Chi è" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
Hasse: Demofoonte, Act 3: "Misero pargoletto" (Timante) | Johann Adolf Hasse, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Dido and Aneas, Z. 626: When I Am Laid In Earth, "Dido's Lament" | Henry Purcell, Francis Colpron, Les Boréades de Montréal, Karina Gauvin | B♭ Major | 1 | 6B | 117 BPM | ||
Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie) | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset, Sandrine Piau, Julian Prégardien, Chœur De Chambre De Namur | F Major | 3 | 7B | 78 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Dietrich Fischer-Dieskau, Piero de Palma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 3 | 6B | 62 BPM |