"6 Ariette: No. 5, Per pietà, bell'idol mio" by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera was released on January 29, 2016. The duration of 6 Ariette: No. 5, Per pietà, bell'idol mio is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. 6 Ariette: No. 5, Per pietà, bell'idol mio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Serenade". In this album, this song's track order is #10. Based on our statistics, 6 Ariette: No. 5, Per pietà, bell'idol mio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Ariette: No. 5, Per pietà, bell'idol mio by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Le nozze di Figaro, K.492, Act III: Recitativo. "E Susanna non vien!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Berlioz: Tristia, Op. 18, H. 119: II. La Mort d'Ophélie, H. 92a | Hector Berlioz, Sabine Devieilhe | B♭ Major | 1 | 6B | 108 BPM | ||
5 Lieder: No. 3. Laue Sommernacht | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | A Major | 0 | 11B | 73 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM | ||
A Midsummer Night's Dream / Act 2: "Be Kind and Courteous To This Gentleman" | Benjamin Britten, Elizabeth Harwood, London Symphony Orchestra | C Major | 2 | 8B | 105 BPM | ||
Tosti: L'ultima canzone - Live | Francesco Paolo Tosti, Michael Fabiano | C Major | 1 | 8B | 70 BPM | ||
Labsente | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM |