"Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat" by Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset was released on February 28, 2020. With Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat by Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe h-Moll, BWV 232: VI. Gloria "Laudamus te" | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Julia Doyle, Rudolf Lutz | E♭ Minor | 2 | 2A | 124 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Te Deum, S.32: II. Te æternum Patrem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre | C Major | 3 | 8B | 176 BPM | ||
Wandl'ich Im Wald Des Abends | Alexander von Zemlinsky, Susan Manoff, Sandrine Piau | C Major | 0 | 8B | 172 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VI. Domine, Fili unigenite: (Allegro) | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 113 BPM | ||
Maddalena ai piedi di Cristo: No. 15 Recitativo Marta, Maddalena "Germana, al ciel, deh, volgi" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 0 BPM | ||
Mädchenblumen op.22: I. Kornblumen | Richard Strauss, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 74 BPM | ||
Suite No. 2 en Ré Mineur: Sarabande | Johann Jakob Froberger, Christophe Rousset | F Major | 2 | 7B | 89 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM |