Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset, Sandrine Piau, Julian Prégardien, Chœur De Chambre De Namur's 'Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie)' came out on September 3, 2015. The duration of Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 80 in the song's album "Rameau: Zaïs". In this album, this song's track order is #19. Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zaïs, Acte I, Scène 3: Accourons tous, que tout s'empresse (Chœur des Bergers et Bergères, Zaïs, Zélidie) by Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset, Sandrine Piau, Julian Prégardien, Chœur De Chambre De Namur having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Nouvelles suites de pièces de clavecin / Suite In G Major: La poule | Jean-Philippe Rameau, Kenneth Gilbert | F♯ Minor | 5 | 11A | 135 BPM | ||
An die Musik, D. 547 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Major | 1 | 10B | 81 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM |