"Aus den schlesischen Bergen, Op. 260" by Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec was released on February 23, 2024. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 15 in E. Strauss: A Centenary Celebration, Vol. 3 by Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Aus den schlesischen Bergen, Op. 260 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aus den schlesischen Bergen, Op. 260 by Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Galop | Jacques Offenbach, Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 7 | 8B | 92 BPM | ||
Love Songs Waltz, Op. 11: Liebeslieder | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 191 BPM | ||
Schwanensee, Op. 20: Act II No. 13: Dances of the swans | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 0 | 11B | 99 BPM | ||
Tritsch-Tratsch-Polka | Johann Strauss Orchester | A Major | 4 | 11B | 159 BPM | ||
Der lustige Krieg: " Kein Kampf, kein Sieg bracht bisher dieser Krieg (Chor) " | Wiener Symphoniker, Eduard Strauss, Dorothea Siebert, Waldemar Kmentt, Christa Ludwig, Erich Majkut | B♭ Major | 2 | 6B | 101 BPM | ||
Suite for Variety Orchestra: II. Dance No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A Major | 3 | 11B | 80 BPM |