Wiener Operettenorchester, Chor made "Im Salzkammergut da kann man gut" available on 1976. The duration of Im Salzkammergut da kann man gut is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Im Salzkammergut da kann man gut's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wiener Operettenorchester, Wiener Operettenchor's "Glanzvolle Operetten: Der Vogelhändler / Im weißen Rössl" album is number 8 out of 11. Im Salzkammergut da kann man gut is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Im Salzkammergut da kann man gut by Wiener Operettenorchester, Chor to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guten Abend, Gut' nacht | Don Kosaken Chor | C Major | 4 | 8B | 133 BPM | ||
Arie 'Dunkelrote Rosen' aus 'Gasparone' von C.Milloecker | Martin Frank | C Major | 5 | 8B | 89 BPM | ||
Vor meinem Vaterhaus steht eine Linde | Willy Schneider | A♭ Major | 3 | 4B | 77 BPM | ||
Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
Das gibt’s nur einmal | Werner R. Heymann, Annette Postel, Schwanen Salon Orchestra, Georg Huber | E♭ Major | 2 | 5B | 112 BPM | ||
Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
Im weißen Rössl: Im weißen Rössl | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 121 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Der Südwind Der Weht | René Carol | G Major | 2 | 9B | 128 BPM | ||
Der Graf von Luxemburg · Operette in 3 Akten (Querschnitt), Erster Akt: - Ganz unverhofft warf mir das Glück - So liri, liri, lari | Rudolf Schock, Frank Fox, Chor, Berliner Symphoniker, Helga Hildebrand | D Major | 4 | 10B | 76 BPM |