"Andante. The Seven and a Half Hour Shift (From "Coal Face")" by Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins was released on April 1, 2012. With Andante. The Seven and a Half Hour Shift (From "Coal Face") being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 48 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Andante. The Seven and a Half Hour Shift (From "Coal Face") is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Andante. The Seven and a Half Hour Shift (From "Coal Face") by Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66: vii. Dies Irae - Liber scriptus | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | E Major | 0 | 12B | 64 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Delius: Irmelin, Prelude for Orchestra, RT VI/27 | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | D Major | 1 | 10B | 87 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Danse Sacrée et Danse Profane, L. 103: II. Danse Profane | Claude Debussy, Nieuw Sinfonietta Amsterdam, Ernitine Stoop | A Major | 0 | 11B | 73 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM |