Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit made "Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso" available on September 6, 1993. With Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Poulenc: Piano Concerto; Concerto For Two Pianos; Organ Concerto". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso by Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Petite Suite, WD 39: No. 4. Duo: Petit mari, petite femme | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 76 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Verdi: La Traviata: Prelude to Act 1 | Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra | B Major | 0 | 1B | 125 BPM | ||
Piano Sextet, S. 100: I. Allegro vivace. Très vite et emporté | Francis Poulenc, The Reykjavik Wind Quintet, Vovka Ashkenazy | E Minor | 1 | 9A | 131 BPM | ||
Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante | Sergei Prokofiev, Janine Jansen, Itamar Golan | G Major | 1 | 9B | 84 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM |