"Delius: Irmelin, Prelude for Orchestra, RT VI/27" by Frederick Delius, London Symphony Orchestra, Sir John Barbirolli was released on February 14, 1995. Delius: Irmelin, Prelude for Orchestra, RT VI/27 is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The song is number 10 out of 53 in Delius: Orchestral Works by Frederick Delius, Sir John Barbirolli, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Delius: Irmelin, Prelude for Orchestra, RT VI/27 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delius: Irmelin, Prelude for Orchestra, RT VI/27 by Frederick Delius, London Symphony Orchestra, Sir John Barbirolli is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius: Brigg Fair (An English Rhapsody), RT VI/16: Coda (Very quietly) | Frederick Delius, Hallé, Sir John Barbirolli | D Minor | 0 | 7A | 67 BPM | ||
Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Overture "A Midsummer Night's Dream", Op. 21, MWV P 3 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | E Major | 0 | 12B | 71 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM |