Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox's 'Carmina Burana: II. Fortune plango vulnera' came out on January 1, 2005. The duration of Carmina Burana: II. Fortune plango vulnera is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Carmina Burana: II. Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Carmina Burana: II. Fortune plango vulnera's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: II. Fortune plango vulnera by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: XVII. Libera Me | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra | C Minor | 1 | 5A | 118 BPM | ||
Freedom / The Execution Bannockburn | James Horner, London Symphony Orchestra | D Major | 1 | 10B | 123 BPM | ||
Tannhäuser Overture | Richard Wagner, London Symphony Orchestra, Yondani Butt | B Major | 0 | 1B | 73 BPM | ||
Requiem, Op. 89, B. 165 / Part 1: 3. Dies Irae | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša | B Minor | 1 | 10A | 137 BPM | ||
All-night Vigil, Op. 37, "Vespers": Bless the Lord, O my soul | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | C Major | 1 | 8B | 80 BPM | ||
The Birth of the Twins and Padmé's Destiny | John Williams, London Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
Masquerade: Waltz | Aram Khachaturian, London Symphony Orchestra, Yuri Ahronovitch | C Major | 3 | 8B | 95 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 3 | 4A | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |