"Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto" by Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi was released on June 7, 2024. The duration of Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Fauré: Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 18, Inquiétude | Franz Burgmüller, The Gerst Ensemble | A Minor | 0 | 8A | 195 BPM | ||
Raymonda, Act III: Variation Prestissimo | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 70 BPM | ||
Another Seven Symphonies: No. 7, Rigby's Waltz | John Lennon, Paul McCartney, Bobby Scott, Ric Marlow, Antwerp Philharmonic Orchestra, Alexandra Arrieche | B Major | 1 | 1B | 132 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Piano Quintet, Op. 92, SO 610: II. Andante lamentoso | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | E♭ Major | 0 | 5B | 82 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Violin Concerto: II. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 1 | 8A | 91 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft I: No. 2, Innig | Robert Schumann, George Li | F♯ Minor | 0 | 11A | 92 BPM |