Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay's 'Serenade in C Major, Op. 10: I. Marcia: Allegro' came out on July 15, 2014. With Serenade in C Major, Op. 10: I. Marcia: Allegro being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 13 in Dohnanyi / Weiner: Chamber Music by Laszlo Barsony, Karoly Botvay, Jenő Jandó, Andras Kiss. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Based on our statistics, Serenade in C Major, Op. 10: I. Marcia: Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in C Major, Op. 10: I. Marcia: Allegro by Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Noure et Anitra, Op. 13: No. 7, Berceuse (Arr. A. Moffat for Violin & Piano) | Alexander Ilyinsky, Rachel Barton Pine, Matthew Hagle | G Major | 0 | 9B | 95 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Horn Trio in E-Flat Major, Op. 40 (Version for Piano Trio): I. Andante | Johannes Brahms, Trio Sōra | B♭ Major | 2 | 6B | 98 BPM | ||
Chanson de nuit, Op. 15 No. 1 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 0 | 9B | 77 BPM | ||
Andante und Rondo ungarese, J. 79 | Carl Maria von Weber, Laszlo Barsony, Hungarian State Orchestra, Janos Ferencsik | C Major | 1 | 8B | 95 BPM | ||
Romance for Violin and Piano, Op. 23 | Amy Beach, Anna Im, Chiao-Ying Chang | A Major | 1 | 11B | 68 BPM | ||
Piano Quartet | Huw Watkins, Leonore Piano Trio, Rachel Roberts | D♭ Major | 1 | 3B | 102 BPM | ||
Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Romance in F Major, Op. 36, R. 195 (Version for Cello & Orchestra) | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM |