"Le Roi David, H 37, Part 1: No. 7 Psaume "Ah! si j'avais des ailes de colombe"" by Arthur Honegger, Lambert Wilson, Brigitte Fournier, Michel Corboz, Gulbekian Orchestra was released on June 13, 1991. The duration of Le Roi David, H 37, Part 1: No. 7 Psaume "Ah! si j'avais des ailes de colombe" is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Le Roi David, H 37, Part 1: No. 7 Psaume "Ah! si j'avais des ailes de colombe"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Honegger, The Gulbenkian Orchestra, Gulbenkian Choir's "Honegger: Le Roi David" album is number 7 out of 27. On top of that, Switzerland appears to be the country where this track was created. Le Roi David, H 37, Part 1: No. 7 Psaume "Ah! si j'avais des ailes de colombe" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Roi David, H 37, Part 1: No. 7 Psaume "Ah! si j'avais des ailes de colombe" by Arthur Honegger, Lambert Wilson, Brigitte Fournier, Michel Corboz, Gulbekian Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse | Maurice Ravel, Sinfonia of London Chorus, Sinfonia Of London, John Wilson | D Major | 0 | 10B | 82 BPM | ||
Mathis Der Maler: Vorspiel: Concert of Angels | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 1 | 9B | 103 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Cinderella: 1. Cinderella, alone by the fire, dreaming | Eric Coates, BBC Philharmonic Orchestra, John Wilson | E Minor | 0 | 9A | 42 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Trois Poèmes de Paul Claudel pour Chant et Piano (1940): No. 2, Le Delphinium | Arthur Honegger, Holger Falk, Steffen Schleiermacher | E Minor | 0 | 9A | 106 BPM | ||
Napoleon: Chaccone De L'imperatrice | Slovak Radio Symphony Orchestra, Arthur Honegger | B♭ Major | 1 | 6B | 110 BPM | ||
Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
Ode, Elegiac Chant in 3 parts: I. Eulogy | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |