"Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse" by Maurice Ravel, Sinfonia of London Chorus, Sinfonia Of London, John Wilson was released on November 3, 2023. The duration of Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé (Complete Ballet)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 1, Introduction et Danse religieuse by Maurice Ravel, Sinfonia of London Chorus, Sinfonia Of London, John Wilson having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paysage | Reynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve Niquet | D Major | 0 | 10B | 101 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Symphony No. 2, Op. 16 "The Four Temperaments": I. Allegro collerico | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A♭ Major | 0 | 4B | 79 BPM | ||
Don Quichotte à Dulcinée, M. 84: No. 1, Chanson romanesque | Maurice Ravel, Francois Le Roux, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 1 | 2B | 86 BPM | ||
Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Schumann: 3 Romances, Op. 94: No. 1 Nicht schnell | Robert Schumann, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM |