"Trois Poèmes de Paul Claudel pour Chant et Piano (1940): No. 2, Le Delphinium" by Arthur Honegger, Holger Falk, Steffen Schleiermacher was released on August 13, 2021. With Trois Poèmes de Paul Claudel pour Chant et Piano (1940): No. 2, Le Delphinium being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Honegger, Holger Falk, Steffen Schleiermacher's "Honegger: Melodies et Chansons" album is number 11 out of 46. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Trois Poèmes de Paul Claudel pour Chant et Piano (1940): No. 2, Le Delphinium is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trois Poèmes de Paul Claudel pour Chant et Piano (1940): No. 2, Le Delphinium by Arthur Honegger, Holger Falk, Steffen Schleiermacher to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Brook Green Suite: Prelude | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 137 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM | ||
Quintette: I. Assez anime | Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet | A Major | 1 | 11B | 139 BPM | ||
Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 2 | 8A | 104 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
25 Études faciles et progressives, Op. 100: No. 22, Barcarolle | Franz Burgmüller, The Gerst Ensemble | A♭ Major | 0 | 4B | 58 BPM |