Darius Milhaud, Sebastian Manz, Martin Klett's 'Scaramouche, Op. 165d: I. Vif' came out on March 1, 2013. The duration of Scaramouche, Op. 165d: I. Vif is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Scaramouche, Op. 165d: I. Vif's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sebastian Manz, Martin Klett's "In Rhythm" album is number 17 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Scaramouche, Op. 165d: I. Vif's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Scaramouche, Op. 165d: I. Vif by Darius Milhaud, Sebastian Manz, Martin Klett to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christophe Colomb, Tableau I, Op. 102, Act I, Scene 1: "Maintenant que nous avons discuté" | Darius Milhaud, Orchestre Radio Lyrique, Manuel Rosenthal, Lucien Lovano, Joseph Peyron, Pierre Germain, Jacques Chalude | D Major | 0 | 10B | 81 BPM | ||
Concertino in E-Flat Major, Op. 26: Concertino | Carl Maria von Weber, Sebastian Manz, Stuttgart Radio Symphony Orchestra, Antonio Méndez | B♭ Major | 0 | 6B | 132 BPM | ||
Suite Provence: II. Tres Modere | Leonid Nikolayev, Darius Milhaud, Moscow RTV Symphony Orchestra | B♭ Major | 7 | 6B | 91 BPM | ||
L'homme et son désir, Op. 48, I. Scene I | Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus | F Minor | 2 | 4A | 80 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegretto un poco - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 74 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Clarinet Sonata: I. Grazioso | Leonard Bernstein, Andy Miles, Wayne Marshall | D Major | 1 | 10B | 134 BPM | ||
Sonata for Clarinet and Piano: II. Andantino - Vivace e leggiero | Leonard Bernstein, Sebastian Manz, Martin Klett | D Major | 3 | 10B | 141 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM |