"Aria for String Quartet, Op. 9" by Mieczysław Weinberg, NOVO Quartet was released on May 10, 2024. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Weinberg: Aria for String Quartet, Op. 9 only contains only one song in the album, we like to consider this song as a single. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Aria for String Quartet, Op. 9 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aria for String Quartet, Op. 9 by Mieczysław Weinberg, NOVO Quartet has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aria for String Quartet, Op. 9 being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Preludio, op. 20: II. Allegro non troppo, Moderato | Heitor Villa-Lobos, Katja Zakotnik, Naila Alvarenga Lahmann | D♭ Major | 1 | 3B | 89 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
24 Preludes, Op. 100: Prelude No. 10 | Mieczysław Weinberg, Marina Tarasova | G Major | 2 | 9B | 98 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | D Major | 3 | 10B | 113 BPM |