"Romeo and Juliet, Op. 64: I. Introduction" by Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic was released on April 17, 2020. The duration of Romeo and Juliet, Op. 64: I. Introduction is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Romeo and Juliet, Op. 64: I. Introduction's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walton, Grisi & Prokofiev: Heroes by Adrien La Marca, Liège Royal Philharmonic, Christian Arming. The song's track number on the album is #5 out of 10 tracks. Based on our data, France was the country where this track was produced or recorded. Romeo and Juliet, Op. 64: I. Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Romeo and Juliet, Op. 64: I. Introduction by Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Romeo and Juliet, Op. 64: I. Introduction being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludio, op. 20: II. Allegro non troppo, Moderato | Heitor Villa-Lobos, Katja Zakotnik, Naila Alvarenga Lahmann | D♭ Major | 1 | 3B | 89 BPM | ||
7 Canciones Populares Españolas (Arr. R. Boyd & L. Metcalf for Cello & Guitar): No. 5, Nana | Manuel de Falla, Boyd Meets Girl | A Minor | 0 | 8A | 96 BPM | ||
Abkehr | Wolfgang Rihm, Stuttgart Radio Symphony Orchestra, Christian Arming | F Minor | 0 | 4A | 169 BPM | ||
Drdla: Serenade No.1 | Su Shien-Ta, Yu Tsui-Ling | A Major | 2 | 11B | 141 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM | ||
Sonata for Viola and Piano: III. Adagio - Allegro | Rebecca Clarke, Adrien La Marca, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
Apollon Musagète, K. 048: VII. Variation d'Apollon | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Cello Concerto, Op. 85: III. Adagio | Edward Elgar, Gary Hoffman, Christian Arming, Liège Royal Philharmonic | B♭ Major | 0 | 6B | 89 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Sans mouvement, sans monde: X. Quatrième mouvement | Marc Monnet, Orchestre Philharmonique Royal de Liège, Christian Arming, Marc Coppey | F♯ Minor | 2 | 11A | 79 BPM |