"Christophe Colomb, Tableau I, Op. 102, Act I, Scene 1: "Maintenant que nous avons discuté"" by Darius Milhaud, Orchestre Radio Lyrique, Manuel Rosenthal, Lucien Lovano, Joseph Peyron, Pierre Germain, Jacques Chalude was released on December 9, 2014. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 223 in Darius Milhaud: Bolivar, Maximilien, Les euménides & Les choéphores by Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Louis Saguer, Hélène Bouvier. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Christophe Colomb, Tableau I, Op. 102, Act I, Scene 1: "Maintenant que nous avons discuté" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christophe Colomb, Tableau I, Op. 102, Act I, Scene 1: "Maintenant que nous avons discuté" by Darius Milhaud, Orchestre Radio Lyrique, Manuel Rosenthal, Lucien Lovano, Joseph Peyron, Pierre Germain, Jacques Chalude is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour violoncelle et orchestre: Sonate 1-2-3 (attaca) | Michel Legrand, Henri Demarquette | E♭ Major | 2 | 5B | 176 BPM | ||
Syrinx, L. 129 | Claude Debussy, James Galway, Marisa Robles, Graham Oppenheimer, Chamber Orchestra of Europe | C Major | 1 | 8B | 79 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 93 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | C Major | 1 | 8B | 75 BPM | ||
In Chassidic Mood: I. Andante con moto | Gil Aldema, The Safad Chamber Orchestra, Markus Poschner, Giora Feidman | B♭ Minor | 0 | 3A | 110 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM |