"Cinderella: 1. Cinderella, alone by the fire, dreaming" by Eric Coates, BBC Philharmonic Orchestra, John Wilson had its release date on June 9, 2023. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 21 in Coates: Orchestral Works, Vol. 3 by Eric Coates, BBC Philharmonic Orchestra, John Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cinderella: 1. Cinderella, alone by the fire, dreaming is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cinderella: 1. Cinderella, alone by the fire, dreaming by Eric Coates, BBC Philharmonic Orchestra, John Wilson is Grave (very slow), since this song has a tempo of 42 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | C Minor | 1 | 5A | 73 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Magyar gyermek- és népdalok: No. 3, Tavaszi szél | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | C Major | 0 | 8B | 145 BPM | ||
ABC du Piano, Op. 16: No. 15 Melody | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Consolation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM |