"Magyar gyermek- és népdalok: No. 3, Tavaszi szél" by Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi was released on July 24, 2020. With Magyar gyermek- és népdalok: No. 3, Tavaszi szél being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiner: Complete Orchestral Works, Vol. 3 by Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi. The song's track number on the album is #11 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Magyar gyermek- és népdalok: No. 3, Tavaszi szél's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magyar gyermek- és népdalok: No. 3, Tavaszi szél by Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Magyar gyermek- és népdalok: No. 3, Tavaszi szél being at 145 テンポ, the half-time would be 72 テンポ with a double-time of 290 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La filleule des fees: Act II - Tableau I (A Wooded Park): No. 4d (No. 8) Mme Taglioni (Flute Variation) | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 63 BPM | ||
Namouna, Suite No.2: 5. Danse des esclaves | Édouard Lalo, Royal Philharmonic Orchestra, Yondani Butt | A Major | 2 | 11B | 51 BPM | ||
Suite de trois morceaux, Op. 116 (Arr. for Flute & String Sextet): III. Valse | Benjamin Godard, Nathanael Carré, Ensemble Nuanz | G Major | 0 | 9B | 179 BPM | ||
Le nozze di Figaro (The Marriage of Figaro), K. 492, Act III: Cosa mi narri! - Che soave zefiretto | Wolfgang Amadeus Mozart, Ildiko Ivan, Ingrid Kertesi, Budapest Symphony Orchestra MAV, Janos Kovacs | B♭ Major | 1 | 6B | 112 BPM | ||
Hungarian Scherzo | Eugene Zador, Mariusz Smolij, Budapest Symphony Orchestra MAV | C Major | 0 | 8B | 145 BPM | ||
Armida, Act II Scene 10: Seguito del ballo. Andante | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
At Evening, Op. 60 | Eivind Groven, Iceland Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 130 BPM | ||
Like About | Hina Akonoh | B Major | 0 | 1B | 89 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Finale | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM |