Wen-Sinn Yang made "12 Capricci Op. 25 Per Violoncello Solo: Moderato" available on 2001. The duration of 12 Capricci Op. 25 Per Violoncello Solo: Moderato is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 12 Capricci Op. 25 Per Violoncello Solo: Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Piatti: 12 Capricci Op. 25 for Cello solo". In this album, this song's track order is #3. Based on our statistics, 12 Capricci Op. 25 Per Violoncello Solo: Moderato's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 12 Capricci Op. 25 Per Violoncello Solo: Moderato by Wen-Sinn Yang having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamento No. 1 | João Marcondes, O Imprevisível Núcleo de Compositores | C Major | 1 | 8B | 169 BPM | ||
Love Gone with Autumn Behind | Choonsuk Park, Werner Thomas-Mifune, Carmen Piazzini | E Minor | 0 | 9A | 98 BPM | ||
Caprice in Form einer Chaconne (unter freier Verwendung eines Themas von R. Schumann) Op. 43: VII. Variation VI | Julius Klengel, Wen-Sinn Yang | D Minor | 4 | 7A | 135 BPM | ||
4 Romances, Op. 2: No. 2, Eastern Song (The Nightingale Enslaved by the Rose) [Arr. A. Krein for Piano Trio] | Nikolai Rimsky-Korsakov, Ilona Then-Bergh, Wen-Sinn Yang, Michael Schafer | B Minor | 0 | 10A | 45 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
アンダンテ・カンタービレ(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Yoko Hasegawa | C Major | 1 | 8B | 104 BPM | ||
Cello Concerto No. 2 in B Minor, Op. 50: I. Allegro | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 2 | 10A | 113 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) | Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei | D Major | 3 | 10B | 91 BPM |