"Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto" by Pyotr Ilyich Tchaikovsky, Geneva Piano Trio was released on March 15, 2024. The duration of Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pyotr Ilyich Tchaikovsky, Geneva Piano Trio's "Geneva Piano Trio" album is number 11 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto by Pyotr Ilyich Tchaikovsky, Geneva Piano Trio to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio, Op. 40: IV. Finale | Johannes Brahms, Martin Owen, Francesca Dego, Alessandro Taverna | E Major | 1 | 12B | 131 BPM | ||
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: III. Lento tristamente | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | D♭ Minor | 0 | 12A | 98 BPM | ||
Piano Quartet in F Minor, Op. 10: I. Allegro un poco moderato | Léon Boëllmann, Bela Banfalvi, Karoly Botvay, János Fehérvári, Ilona Prunyi | F Minor | 1 | 4A | 86 BPM | ||
Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 89 BPM | ||
Melartin : Berceuse, Op. 44 No. 4 (Kehtolaulu) | Erkki Melartin, Kaija Saarikettu, Raija Kerppo | A♭ Major | 0 | 4B | 93 BPM | ||
Love Gone with Autumn Behind | Choonsuk Park, Werner Thomas-Mifune, Carmen Piazzini | E Minor | 0 | 9A | 98 BPM | ||
Sonata for Violin and Piano No 3 in D minor, Op.108: 2. Adagio | Johannes Brahms, Arthur Grumiaux, György Sebök | D Major | 1 | 10B | 90 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Sollima: Il concerto perduto: I. Allegro (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM |